Free Ebook , by Rebecca Makkai
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, by Rebecca Makkai
Free Ebook , by Rebecca Makkai
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Product details
File Size: 1375 KB
Print Length: 431 pages
Publisher: Viking (June 19, 2018)
Publication Date: June 19, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B076GPPLPP
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Amazon Best Sellers Rank:
#1,926 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I did not want this book to end. I live in Chicago, and of course knew all the places but on a personal note I moved to San Francisco in 1987 to do AIDS education. 6 months after moving there my brother was diagnosed with AIDS and died Jan 27th, 1990. The descriptions of the disease, the bedside vigils were spot on. This book was amazing. I loved how she tied the early years of the epidemic with the Paris story and how Fiona could channel her anger. I am wrung out. Please read this book.
This is really two novels under the same covers, told in alternating chapters. One is terrific, the other one only OK. The terrific one takes place in Chicago's Boystown during the worst days of the AIDS catastrophe. The characters are sympathetic and believable, though flawed in many ways, and the author makes us both wonder about what their fate will be and care about it. If you were in Chicago at that era, you'll probably find it especially interesting, but I related to it even though I've never set foot in the Windy City. The OK novel takes place 30 years later in Paris, with a mother searching for her daughter who is alienated and fleeing a cult. I confess that I found her adventures somewhat hard to identify with, though the story would appeal to anyone with maternal instincts. The protagonist here is Fiona, who was the sister of a man who died of AIDS in the other half; a few of the chacters appear in both parts, but mostly in minor roles, and (except for Fiona) are not well developed. The author is a master of storytelling and kept me turning the pages, but I think I'd have enjoyed this more if I'd just read the odd-numbered chapters, though there is a heart-rending scene at the very end that's worth waiting for.
This sprawling, intimate novel takes on the legacy of the AIDS crisis, focusing on one group of friends in Chicago in the 1980s.It’s 1985 and Yale Tishman’s friends are dying one by one. As his career at a Chicago art gallery begins to take off, his personal life is consumed with loss—not to mention the looming fear of getting sick himself. Yale throws himself into a new project, helping the aunt of one of his late friends Nico unveil a collection of paintings from famous 1920s artists that she once knew.The novel jumps between 1985 to 2015, where Nico’s sister Fiona, once the caretaker of her brother and his friend as they slowly succumbed to AIDS, attempts to track down her estranged daughter. Fiona has spent her entire adult life burdened by grief, hesitant to get close to anyone.Makkai does a wonderful job of weaving together these two timelines, revealing not only the urgency and devastation of the AIDS crisis as it was unfolding, but the lasting legacy for those who were touched by it.This is a dense novel that demands careful attention. At times it’s slow, but it’s rewarding—especially toward the end as key connections are made between Fiona and Yale’s narratives, forming the whole picture like a newly restored painting. It’s not as deeply emotional as I expected for a book with such heavy subject matter—due in part perhaps to the dual timelines. That said, the especially poignant passages feel earned. Every now and then a particular sentence would strike me hard.There are families we’re born into a families we choose. Love that ends abruptly and love that lasts a lifetime. The Great Believers is about all of that, about the bonds we form and the people in our lives who make us who we are.
Michael Cunningham's review in the NYT was spot-on: this is a beautifully-written novel that captures its different characters through the most descriptive little details, and I grew to care about every single one. For anyone who wants to better understand how HIV/AIDS decimated communities, and how those communities were ostracized and feared, it is a poignant telling. I'm very glad I read it and would highly recommend it as a compelling, well-crafted summer read.
This is a really excellent book. It tells a messy, human story in elegant language, layering its themes lovingly. I consider myself extraordinarily lucky to be alive at a time when Rebecca Makkai is publishing fiction; she is a master storyteller, intelligent, bold, and subtle.Others have noted how painstakingly Makkai researched -- and how accurately it seems she has represented -- AIDS and the gay community in 1980s Chicago. I think it's also worth noting how well she represents visual art, university development, and 2015 Paris. The details that provide the background and plot of this novel help make its characters real, which in turn helps me as a reader care about the protagonists.The Great Believers draws its two primary protagonists very well, and distinguishes them both from each other and from the well-sketched ensemble players. It was easy to identify with these characters, even (perhaps especially) in their imperfections.This novel is at once tragic and hopeful. Makkai writes with deceptively simple language that packs a punch in the protagonists' every triumph and loss. Things are so well constructed that with seemingly a single sentence, the reader feels the impact of a glance, a death, even one person telling another he's inferior.I hesitate to criticize anything in this novel because it's so well crafted that I suspect anything I perceive as a shortcoming will become another rewarding layer upon a second reading. I'm eager to read this novel again.
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